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SYMPHEQ

70 YEARS AFTER ITS CREATION, THE BAXANDALL EQ GOT A DEFINITIVE UPDATE WITH THE SYMPH EQ…now it finally arrives in PLUGIN FORM! Since its release, the Heritage Audio 19” rack SYMPH EQ has pleasantly surprised every musician, sound designer and engineer that it has crossed paths with. Now, after months of careful development, the SYMPH EQ plugin is here to bring your stereo mix to life with just a few minimal, yet surgical, changes to the frequency response. Its sound can only be described as tight, sweet, and natural, assuring that your mix will stand proudly with other popular songs currently heard, keeping it always fun and exciting to listen to. Give your mix bus and master bus a whole new perception and sense of depth with just tiny tweaks.
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SUCCESSOR

THE BRITISH DIODE-BRIDGE COMPRESSOR THAT CHANGED THE INDUSTRY FINALLY AVAILABLE IN PLUGIN. When we released the SUCCESSOR it was a first in its class, finally allowing creative engineers, producers and musicians to apply warm, colorful and fat compresion. Originally conceived for the MIX bus the SUCCESSOR has actually become a popular choice for all the different aspects of music & sound production. Finding its way into tracking sessions, on to subgroups and even at the MASTERING stage. Adopted by top class engineers like Chris Lord-Alge, and present in thousands of studios, the SUCCESSOR has become a must have piece of outboard gear that shaping the modern music production.
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BRITSTRIP

50 YEARS OF ANALOG DESIGN IN ONE SINGLE PLUGIN. Introducing the Heritage Audio BritStrip plugin. A true recreation of Heritage Audio’s very own BritStrip CONSOLE CHANNEL STRIP, a modern classic in thousands of studios around the World. The BritStrip combines an expanded 73 style equalizer and the famous diode bridge compressor from Heritage Audio’s popular SUCCESSOR.
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HA 1200 Tape Saturator

BASED ON A TRULY UNIQUE TAPE RECORDER The HA 1200 TapeSat is modeled after the original unit (Serial # 0232) owned by Heritage Audio’s CEO, Peter Rodriguez. The machine was bought by Peter when he was 19 years old and has been his main tape recorder ever since. After discovering just how good a professional reel-to-reel recorder sounded...there was no turning back. His recordings now sounded like many of his favorite albums from the last few decades.
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HA 15 PRO

THE UNRIVALED BASS AMP SOUND FROM THE 60’s AND 70’s No matter where your tastes lie, chances are that your favorite band used one of these bad boys. With with a glorious tone, solid low-mid response and unique looks, the “flip-top” amp graced all the famous studios where incredible classic albums and film scores were recorded in the 60’s and 70’s. Heritage Audio has not held back on resources creating the most accurate plugin version of our original unit by partnering with Mark Gallo, a renown designer/programmer/engineer with more than 15 years of hardware modeling experience, as well as spending months working on a truly faithful plugin version of the bass tone that shaped the recording industry as we know it.
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HA 240 Gold Foil Verb

THE VINTAGE UNIT THAT SAT IN HERITAGE AUDIO’S FACTORY FOR YEARS... Introducing...the HA 240 Gold Foil Verb modeled after the original unit from Heritage Audio’s private collection...or maybe its private storage room. Thought to be a non-functioning unit, the original huge box sat unattended for years, waiting to be torn apart for spare parts.
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Small Recording Amp Serial C17744

MODELED AFTER PETER RODRIGUEZ’s PRIVATE COLLECTION SERIAL # C 17744 The 1957 Serial # C 17744 is one of Peter‘s favorite amps, so we have taken special care while modeling this one for posterity. This small amp is tons of fun on a single knob! Originally designed for guitar students and meant to be played at low volumes, the Serial # C 17744 delivers a superb tone at full volume. A true tone machine, with tremendous mojo and a bluesman’s or vintage rocker’s best plugin friend.
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TAPEoPLEX

THE ENGINEERING CHALLENGE THAT BECAME A PLUGIN It all began a few years ago...while working on a project at Heritage Audio HQ, someone at engineering said that this classic tape delay would sound better by adding this or changing that. It soon became a recurring conversation among our engineering team, so we ended up acquiring an original unit on the second-hand market.
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